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In his best-selling book, Wild at Heart, John attempts to take men on a journey of discovery – to help them recover a life of freedom, passion and adventure. Whether it’s climbing mountains with his sons, casting a fly in one of Colorado’s many rivers or hunting bull elk high in the Rockies, this is where he comes alive. He loves nothing more than being in the outdoors. I’m searching for an even more elusive prey … something that can only be found through the help of wilderness. There’s something else I’m after, out here in the wild. My hunt, you see, has little to do with elk. Though the tracks I found this morning were fresh – only a few hours old – a bull elk can easily cover miles of rugged country in that amount of time …Īnd that’s why I linger here still, letting the old bull get away. Still, the advantage has always been his. I’m forced to rest again, even though I know that each pause broadens the distance between me and my quarry. The aroma of the pungent sage still clings to my jeans, and it clears my head as I gasp for air – in notably short supply at 10,000 feet. Though the sun is shining this afternoon, it won’t warm above minus one, and the sweat I worked up, scaling this face, is now making me shiver. This is the kind of country you could ride across for days on horseback without seeing another living soul. Spreading out below me, the landscape is a sea of sagebrush for mile after lonesome mile. The wind in the top of the pines sounds like ocean waves cresting on the ridge of this mountain I’ve climbed, somewhere in central Colorado. Somewhat unsettled at the thought of a parallel Earth where, say, people might prefer Velcro on their sneakers over shoelaces, or where doughnuts could exist as a form of fiat currency, Strange bumps into a dimension-hopping teen named America Chavez (Xochitl Gomez). No Way Home dug into the notion of the “multiverse”-alternate universes where things can feel a little different from our own, where Tobey Maguire or Andrew Garfield could still be the handsome fellow behind the Spider-Man mask instead of Tom Holland. How to even begin describing the plot of this film? It picks up after the last Marvel entry, Spider-Man: No Way Home, in which the prickly super-magician Doctor Strange (played by Benedict Cumberbatch) appears, waving his arms around with staccato fury to open portals and alter people’s memories en masse. Multiverse of Madness is overstuffed with the usual fan bait, but it’s also undeniably a Sam Raimi movie, and a remarkably good one at that. How could Raimi, long one of genre cinema’s most individualistic voices, have any hope of cutting loose from the corporate strictures entangling such a project? I shouldn’t have worried. Nominally a sequel to 2016’s Doctor Strange, its story has to address plot threads from various other Marvel films and TV shows. Raimi has made only two films in the intervening 15 years, so I was both surprised and worried to see him hired to direct Doctor Strange in the Multiverse of Madness, the 28th entry in the ever-expanding MCU. A year later, Iron Man and The Dark Knight came along, and the superhero flick truly began its journey to monocultural supremacy. It was a box-office success but underwhelmed critics. It seemed like a story at war with itself the director’s earnest zaniness was bumping up against studio demands for more villains, more plot twists, and more money on the screen. That film was Spider-Man 3, in 2007, the final entry in his trilogy of adventures starring Tobey Maguire as the hero. The last time Sam Raimi made a comic-book movie, nobody had ever heard of the Marvel Cinematic Universe. 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